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                  When I am on the wheel I see a spiral, known to be a symbol for time. Creating ceramics coincides conceptually to me with current movements to engage with tradition and commune as opposed to the larger narrative of a defining past of loss and erasure. A creative use of earth and water, ceramic is a material that develops through its own stages. A grounding and porous matter that goes through trans-formations to be.

This is also like journal entries about Caribbean colonial history and erasure of values that generate my practice. Arawak-Taino precolonial ceramics have symbolic designs and shapes that depict ways of life and systems of knowledge that speak to my relationship with home and spirituality.

Illustration by Bunny Lee

Galleries below with reference image

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